L’archive théâtrale de la Socìetas Raffaello Sanzio : un pèlerinage dans la matière
La deuxième particularité de l’archive concerne sa propre nature : il ne s’agit pas d’une archive historique, qui resterait au-delà de...
Another successfully completed mission
Black and broken nails, aching wrists, filthy hair, bloodshot eyes, dust, dust and more dust, loads of love and in the end big smiles,...
Origins: The Archive of Socìetas Raffaello Sanzio. A contribution to Theatre Genetics
The tracing of the evolutionary development of the Socìetas Raffaello Sanzio from the end of the 1970s until 2005 constitutes an...
The Visionary of the non-visual
‘Every image we see in art should penetrate us, cause in us a kind of fire’, Romeo Castellucci once said in a 2015 interview. Living up...
A theatre of non-representation
"The dazzling aesthetic universe that Romeo Castellucci presents on stage resists clear-cut interpretations that attempt to pinpoint the...
...like a curtain which is simultaneously lifted both on the audience and the performance
"For me the audience is the most important dimension of the stage experience. A performance, a theatre or a dance production, or any...
![Claudia Castellucci | The Cadence [La Cadenza]](https://static.wixstatic.com/media/9e8b4b_e9f925e2149740fb9f1325129bfaf4c5.jpg/v1/fill/w_660,h_370,fp_0.50_0.50,lg_1,q_90,enc_auto/9e8b4b_e9f925e2149740fb9f1325129bfaf4c5.jpg)
