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Τhe Archive of Socìetas Raffaello Sanzio
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unspeakable home: Romeo Castellucci | Neither
NEITHER to and fro in shadow from inner to outer shadow from impenetrable self to impenetrable unself by way of neither as between two...
L’archive théâtrale de la Socìetas Raffaello Sanzio : un pèlerinage dans la matière
"This is my heart which was taken away from me in 1944"
Another successfully completed mission
Romeo Castellucci | Theatre can have even more energy than a punk concert
Romeo Castellucci | To create, and create twice
Light versus darkness: Chiara Guidi | The Land of the Earthworms
The naked person, publicly watched, is just him/her, the spectator
Digging the Archive: Santa Sofia. Teatro Khmer
Origins: The Archive of Socìetas Raffaello Sanzio. A contribution to Theatre Genetics
The Visionary of the non-visual
Digging the Archive: An old postcard by Laura Farabough to Società Raffaello Sanzio
Karin in the realm of shadows: Romeo Castellucci | Orfeo ed Euridice by C.W. Gluck
A theatre of non-representation
Mythology is an attitude on life
Romeo Castellucci | Democracy in America
Lazarus, come out!
Digging the Archive: Socìetas Raffaello Sanzio | In praise of such ancient beauty
"that a simple black veil...": Romeo Castellucci | The Minister's Black Veil
Life is everywhere and that's frightening: Romeo Castellucci | Hyperion: Letters of a Terrorist
unspeakable home: Romeo Castellucci | Neither
Digging the Archive: Socìetas Raffaello Sanzio & Scott Gibbons | Crescita VIII-The Cryonic Chant
...like a curtain which is simultaneously lifted both on the audience and the performance
I believe that Claudia was really possessed by the true archivist’s spirit
The rhetoric of words versus the rhetoric of the body | Julius Caesar. Fragments by Romeo Castellucc
Who will smash the golden calf? | Go down, Moses by Romeo Castellucci
Objects of theasis, victims of our gaze | On the concept of the face regarding the Son of God by Rom
Raffaello Sanzio
Romeo Castellucci | Ethica: Natura e Origine della Mente
Silenzio! Silenzio!
Purgatory: A "trial"
Clytaemnestra, the triumph of female power, matriarchy, mother-earth | Orestea (una commedia organic
The riddle of life waiting to be solved | The Parthenon Frieze by Romeo Castellucci
“Please forgive me, I am only an actress” | Schwanengesang D744
The reshaping of standard images
"There, between the sound of the voice and the sound of the word I’ve discovered the theatre.&q
The pleasure of watching | Brentano
Chiara Guidi: "Children HAVE culture"
Empty words, hollow rhetoric | Giulio Cesare. Pezzi staccati
Claudia Castellucci | The Cadence [La Cadenza]
The Land of Earthworms: a tragedy for children
Romeo Castellucci with the chimpanzees
Vassilis Triantafyllou offered excellent interpreting services to ARCH
The Orestea rehearsals
Recent Posts
L’archive théâtrale de la Socìetas Raffaello Sanzio : un pèlerinage dans la matière
"This is my heart which was taken away from me in 1944"
Another successfully completed mission
Romeo Castellucci | Theatre can have even more energy than a punk concert
Romeo Castellucci | To create, and create twice
Light versus darkness: Chiara Guidi | The Land of the Earthworms
The naked person, publicly watched, is just him/her, the spectator
Digging the Archive: Santa Sofia. Teatro Khmer
Origins: The Archive of Socìetas Raffaello Sanzio. A contribution to Theatre Genetics
The Visionary of the non-visual
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